On September 24, 1991, a little-known band from Seattle released a CD called Nevermind. Nothing was ever the same again.
The results of last week’s Name Those Bands contest are in. In first place we have … a disqualification, sorta. Our friend Ubertramp logged in with an impressive 47 of 53. Seriously, that’s pretty damned good. But he has disqualified himself because I’m the one who turned him onto most of these outstanding artists and he felt like he might as well be cheating under the circumstances.
Wow – sportsmanship. What a concept.
So our next highest scorer, and the official winner, is … Continue reading TunesDay: Name those bands – and the winner is….
I’ve been a very big Don Dixon fan since the late ’70s, so when his new CD, The Nu-Look, dropped I was bouncing around the living room like Snoopy doing a happy dance. Sadly, a lot of people don’t know Don’s music – although many know his work as the producer of Murmur and Reckoning by REM and multiple records from The Smithereens and Guadalcanal Diary (as well as stuff from Chris Stamey, Beat Rodeo, Kim Carnes, The Connells, Marshall Crenshaw, Hootie & the Blowfish, Tommy Keene, Let’s Active, James McMurtry, The Pinetops, The Reivers, Matthew Sweet and X-Teens).
The new disc marks something of a departure. Continue reading TunesDay: what is, what was and what almost was – the S&R interview with Don Dixon
Below is my Best CDs of the 1990s list. I never kidded myself for a second that I could produce a definitive review – if I can’t even convince myself that the list is as good as I’d like it, I can hardly fault others for disagreeing here and there, can I?
In the end I wound up deciding on a Top 25 list, and I also offered comments on 25 more honorable mentions. The whole thing, top to bottom, is something like 10 pages worth of reviewing, analysis, and self-defense. I even employed multiple methodologies. First, I tried laying it out by a “connoisseurship” model – that is, I made my own estimates based on my own sense of how things qualitatively met the criteria I established for the project. Then I played a little game where I weighted each criterion and then rated each entry mathematically, thereby generating a quantitative estimate. This had the effect of making me seriously reconsider my initial rankings (for instance, it forced me to give Pearl Jam more credit than I really wanted to – see below for more on that).
Then I sent the list to some friends whose opinions I respect and invited criticism (which I got, in spades – thanks, Greg). That forced some more noodling. Then I set about writing and justifying my picks, and that ALSO led to some revision (if I have a hard time justifying its place in the Top 25, that could mean I’m over-relying on my “like” reflex). Continue reading The Best CDs of the 1990s