Springtime in Colorado, 2017 edition.
Form vs function at the Denver Art Museum
I encountered this slightly worse-for-wear old scooter down at the Denver Art Museum yesterday. The DAM’s wonderful North Building, designed by Gio Ponti and James Sudler Associates, rises in the background.
There are two versions of this shot here – a high-structure black and white that’s processed for maximum drama and color take that’s a bit more “realistic.”
Our lives are full of Kodak moments, even now.
The New York Times estimates there will be 1.3 trillion photos taken this year. Granted, the signal:noise ratio is low. A vast majority of these images will be captured with mobile phones of varying quality. Most will be selfies and casual users curating the moments of their lives, and if you want to insert the word “banal” in that description somewhere I won’t argue. I learned not long after buying my first camera that there’s a big difference between doing photography and merely taking pictures.
All that said, 1.3 trillion – that’s a huge number, and it must be acknowledged that digital technology has exerted a democratizing force on creativity. New tools have provided those who can’t afford an expensive DSLR with a means to capture, process and interpret their worlds in remarkably inventive ways.
If you can afford a nice digital camera, as well as increasingly accessible top-end digital editing tools (I use Lightroom, Photoshop and several of the functions in the Nik suite), the options are, for all practical purposes, infinite. Continue reading The democratization of photography: S&R Honors George Eastman
– for Julie
Happy Beltane from S&R.
I posted a different version of this shot a few days ago. I loved the explosion of color but it lacked focus. The eye wanted to look everywhere at once, which can be confusing and tiring. This one has been cropped and I pulled the light in tighter around the upper left third – note that purple bloom standing higher than the rest? – for greater impact. Sometimes I wonder if any work of art is ever absolutely, positively finished…
A sea of tulips at the Denver Botanic Gardens.
My series with marbles, glasswork and water continues. The first shot features a different take on the small glass piece I posted recently.
My girlfriend’s great-great grandparents. Maybe Civil War era, roughly?