An icon of the American theatre, Edward Albee, died this week. Scholars & Rogues honors him and notes the small ways that the influence of great artists can affect our lives for years to come.
We read The Zoo Story in one of my classes at Wake Forest – maybe freshman or sophomore year. I absolutely loved it. I think Jerry spoke to my teenage sense of who I was and what I didn’t want to be, and this dynamic was reinforced by the culture of the university. Wake was conservative and elite. I was conservative, but working class. Many of my fellow students were preparing themselves for sensible, practical, conventional lives. I wanted to be a poet. So while I don’t believe I necessarily understood that tension then the way I do now, I felt an immediacy in Peter and Jerry’s confrontation that, truth be told, still resonates for me today. Continue reading Me, Albee and the Butterfly Effect: Scholars & Rogues Honors→
I recently took the camera up to Denver’s River North Arts District (RiNo) to shoot some of the street art in the neighborhood’s alleys. There is a lot of talent in the 5280, and I thought I’d share some of it for #HopeTuesday. (Captions are my titles.)
Artists don’t decide what their calling is. Don’t let anyone tell you otherwise.
When I set out to become a photographer way back in 2012 I had an idea what I was going to be. I live in Colorado, you see, so I was going to shoot majestic western landscapes. You know, like every other photographer in the state. I even bought a wide-angle lens for the purpose, not really understanding that wasn’t what wide-angles were for. They can be used for certain types of outdoor expansive shots, but they’re really great for making the indoors look huge.
When I was a young writer I swung for the fence with every syllable. I felt like any word that didn’t crush you with profound implications for eternity was a wasted opportunity. I resented articles. I didn’t understand white space, breathing room, the need for silence between beats, and I had little time for the banal, pedestrian-mongering wanks who did.
I learned more about these things as I grew, and I think becoming a photographer has honed those lessons even more. Noise drowns signal.
An unremarkable corner in downtown Denver. No signage announces the nature of the business within. But this is My Brother’s Bar, one of the 5280’s most historic spots, and if you know a bit about the Beats, you know that this is the place from Kerouac’s On the Road. Everything has changed around it, but the place itself? More or less the same.
Audre Lorde taught us that power begins with knowing and accepting ourselves.
In our world, divide and conquer must become define and empower.
We’ve been taught that silence would save us, but it won’t.
It is not our differences that divide us. It is our inability to recognize, accept, and celebrate those differences.
The reading list for the contemporary poetry seminar during my first semester in the MA program at Iowa State was an interesting one. Elizabeth Bird, Louise Erdrich, Richard Wright, Charles Wright, Gary Snider, Carolyn Forché, plus a couple others I can’t recall right now. Also, the point of today’s story, Audre Lorde, a writer I had never heard of.
One of the symptoms of depression is an addiction to rumination. The vicious cycle of negative thinking that strips us of energy and desire. It is precisely our obsession with working out what makes us unhappy that makes us unhappy. – Chris Corner
You don’t walk away from something that was central to your very being for 35 years without … thinking about it.
Three or four years ago I wrapped my fourth book of poetry and hung up my quill, as it were. I wrote about it at the time, but no matter how self-aware or introspective or pensive or reflective you are, you simply will not fully understand this kind of momentous decision until you’ve had a chance to get away from it and develop some distance and perspective.
Lately I believe I have come to a deeper realization about my relationship with poetry than I ever had, ever could have had, before. When all is said and done, I believe poetry was killing me. Or rather, poetry was the weapon with which I was killing myself.
My friend Anders Thyr is an extremely talented illustrator and designer, and I’m quite a fan of his work. His ongoing Weltschmerz Bears series, for instance, manages to be both whimsical and deeply thought-provoking, and it has gotten me pondering the ways humor can open a subversive back door into my intellect.