The New York Times estimates there will be 1.3 trillion photos taken this year. Granted, the signal:noise ratio is low. A vast majority of these images will be captured with mobile phones of varying quality. Most will be selfies and casual users curating the moments of their lives, and if you want to insert the word “banal” in that description somewhere I won’t argue. I learned not long after buying my first camera that there’s a big difference between doing photography and merely taking pictures.
All that said, 1.3 trillion – that’s a huge number, and it must be acknowledged that digital technology has exerted a democratizing force on creativity. New tools have provided those who can’t afford an expensive DSLR with a means to capture, process and interpret their worlds in remarkably inventive ways.
If you can afford a nice digital camera, as well as increasingly accessible top-end digital editing tools (I use Lightroom, Photoshop and several of the functions in the Nik suite), the options are, for all practical purposes, infinite. Continue reading The democratization of photography: S&R Honors George Eastman→
The 2017 remake of the manga classic is marvelous to behold, but not especially filling emotionally.
Went to see Ghost in the Shell the other day. In IMAX. IMAX 3-D, to be precise. Initial impressions:
1) It’s just fucking gorgeous. The designers have studied the classics, from Blade Runner on down, and they create a world that does justice to the genre. This flick ought to win all the technical Oscars.
– Samhain 1991
In this dry land
crickets fear to chirp
for waste of moisture.
Rattlers bleach their bones,
listless in the summer scald.
I don't want to say too much
for fear of being misconstrued
for fear of being understood all too clearly
so here's your warning – Continue reading Poem for the Trump Inaugural: "The Turning"→
No, famous people won’t stop dying on January 1. But we lost too many bright lights this year and we hope that 2017 will be better. Here’s a list of noteworthy people who died in 2016.
For the past several months a lot of us have been saying we can’t wait for this damned year to be over.
2016 gave us the worst election season I can remember, and every ten minutes or so another beloved artist would die, it seemed. Any year that gives us Donald Trump and takes Muhammad Ali, David Bowie, Prince in return has done more damage than some decades.
[Caveat: I’ll apologize in advance if this one sounds a little bitchy. That isn’t my intent, but I know people don’t always hear what I think I’m saying.]
Ever since we started this blog in 2007, and really for a good number of years before that via different media, I have done all I could to support the efforts of artists I found worthy, especially the seemingly numberless independent artists out there who are being all kinds of brilliant without much help from mainstream media or the industry institutions that dominate the areas in which they work. Music, visual arts, photography, literature, you name it – if you’re like me you run across a lot of fantastic creative work, and if you’re like me you want everyone else to appreciate it as much as you do. Continue reading New Years Resolutions, pt 2: support is a two-way street→
…perspective is a lie. If I know a pond is round then why should I draw it oval? I will draw it round because round is true. Why should my brush lie to you just because my eyes lie to me? – Terry Pratchett
The Nobel Committee today awarded American folk icon Bob Dylan its annual prize for Literature. Not surprisingly, reactions have been mixed.
I’m a bit torn myself. There is no questioning at all the immensity of Dylan’s artistic accomplishments, and there’s perhaps even less argument to be had over the influence he has wielded not only over popular music, but over the larger culture. It is simply impossible to imagine what the US would look like today had he never been born, but we can start by considering his role in the anti-war movement of the ’60s. In truth, you could look at his centrality to the revolts that eventually led to the end of that war and make a case that he deserved the Peace Prize.
With the 1962 World’s Fair, Seattle asserted itself as the city that invented the future. Seattle Center, home to the Space Needle, Key Arena, the Pacific Science Center and other Jetsonesque architectural wonders, gave us a stunning Mid-Century Modern vision of our presumed technotopian future. In 2000 the EMP Museum opened, inserting a postmodern generational overlay in the form of Frank Gehry’s gripping postmodern architectural style. Ever upward, ever forward.
For #HopeTuesday today, I offer you a metaphor. Let’s rekindle our dream of a clean, sustainable, prosperous future with opportunity for all – a true and attainable American dream. I took this shot of the World’s Fair monorail, which connects the EMP and Seattle Center with downtown, in November of 2013. What could possibly be more optimistic, more hopeful, for Americans than a train destined for a technological Utopia?