We lost a great one this week. Today SVR says goodbye to Chris Cornell.
We begin with an iconic Soundgarden vision of a world that’s not quite right.
Nothing speaks to Grunge’s legacy of hopelessness more than the growing body count.
I heard the news today, oh boy: Soundgarden frontman Chris Cornell is dead at 52. According to the BBC it’s being investigated as a suicide.
I won’t bother trying to explain his legacy beyond stating the obvious: Cornell was a brilliant talent whose creative vision was central to defining the sound of a generation.
What I will do, though, is offer a lament for the doomed soul of Grunge.
I admit, up front, that I was never a huge fan of the genre. Continue reading Chris Cornell dead: the ghosts of Grunge welcome another genius into the fellowship
Springtime in Colorado, 2017 edition.
Noam Chomsky, of all people, has called Tricky Dick “America’s last liberal president.” Sadly, he couldn’t have been more right.
Way back in 2008 I said this:
If he were a candidate in the 2008 presidential election, Richard M. Nixon would be more progressive than either the Republican or Democratic nominees.
What a ludicrous thing to say, right? I mean, Nixon was as twisted and corrupt as any president in US history. Hunter Thompson said “Nixon was so crooked that he needed servants to help him screw his pants on every morning.” He got caught with said pants down in l’affaire Watergate and had to resign. He’s the reason anything remotely scandalous has to have a name ending in “-gate.”
Worst. President. Ever. A fixer of the first order. All of which attached, by association, to the Republican Party, making his name synonymous with the rank evil of the American conservative polity.
That he was congenitally shady is unarguable, but the conservative part probably isn’t fair at all. Continue reading John Oliver's beatdown of DaVita reminds us: Richard Nixon was an American liberal icon
Form vs function at the Denver Art Museum
I encountered this slightly worse-for-wear old scooter down at the Denver Art Museum yesterday. The DAM’s wonderful North Building, designed by Gio Ponti and James Sudler Associates, rises in the background.
There are two versions of this shot here – a high-structure black and white that’s processed for maximum drama and color take that’s a bit more “realistic.”
Short version: it isn’t. There’s no such thing as “Carolina style” barbecue.
I grew up in North Carolina, about 25 minutes from Lexington, the Barbecue Capital of the World. I suppose I sort of took this remarkable food for granted when I was younger. We’d go to Country Kitchen down at Gumtree Rd and Highway 52 when I was a kid and there was just nothing better in life than a chopped sandwich with a side of hush puppies. Later on, as I moved around, I’d frequent Mr. BBQ, Hill’s, Stratford BBQ and Pig Pickin’s in Winston-Salem. When I ventured down toward Lexington there were all kinds of options. For a while I favored Speedy’s, then Hog City came along and rocked the world. Through it all, of course, there was the old No. 1, Lexington BBQ, down on Highway 64, which Southern Living has justly called the best barbecue in the South. Even regular restaurants would often have barbecue on the menu. Continue reading Four ways to tell if "Carolina style" barbecue is authentic
Our lives are full of Kodak moments, even now.
The New York Times estimates there will be 1.3 trillion photos taken this year. Granted, the signal:noise ratio is low. A vast majority of these images will be captured with mobile phones of varying quality. Most will be selfies and casual users curating the moments of their lives, and if you want to insert the word “banal” in that description somewhere I won’t argue. I learned not long after buying my first camera that there’s a big difference between doing photography and merely taking pictures.
All that said, 1.3 trillion – that’s a huge number, and it must be acknowledged that digital technology has exerted a democratizing force on creativity. New tools have provided those who can’t afford an expensive DSLR with a means to capture, process and interpret their worlds in remarkably inventive ways.
If you can afford a nice digital camera, as well as increasingly accessible top-end digital editing tools (I use Lightroom, Photoshop and several of the functions in the Nik suite), the options are, for all practical purposes, infinite. Continue reading The democratization of photography: S&R Honors George Eastman
– for Julie
Happy Beltane from S&R.