People keep asking how I’m doing. Not well, I fear. I mean, I’m functioning. I’m very good at compartmentalizing, so I can go to work and get things done and most people probably would never realize anything was wrong.
An old friend, Jon Epstein, is involved with Greensboro College’s Healing Blues Project, which aims to to raise $30,000 for the Interactive Resource Center, a tax-exempt, nonprofit day center in downtown Greensboro for people experiencing homelessness. I’m not even going to bother explaining why this is a worthy cause, and honestly, I’m not sure what I could say that makes the point any better than track 14 on the CD, “I Die a Little,” which reunites Jon and his Haymarket Riot collaborator Pat Lichty on a track co-written by Jon’s wife, Kim Thoré, and voxed by Charlotte Whitted.
As you can see on the project’s IndieGoGo page, they have a ways to go to meet their goal. I encourage you to give it a listen and contribute if you can.
There’s been some back and forth here in the last couple of weeks about Ello, the new social network. If you’re on Ello, or are thinking of joining, here are some people you might want to investigate and possibly follow.
Let’s start with the S&R folks. @docdenny is, as you know, god of macro photography, and lately he’s been experimenting with some new toys and techniques that visually bridge the space between photography and painting.
In the last week or so I have seen an amazing amount of energy devoted to burying Ello. Mind you, it hasn’t launched yet. Still in beta. These folks are trying to kill it before the doors officially open. What’s weird is the range of attacks I’m seeing. Business insiders patting it on the head and ‘splaining why, noble as it is, it just won’t work. (I can’t prove that these folks are pimping for Facebook, but their efforts have to be making Zuck happy.) Pro-privacy types saying it’s sold out before it gets started because the developers take venture capital money. Design junkies telling us how it’s the worse design experience since, well like ever. On and on and on and on.